A long-retired Red Cross nurse whose only real plans for the winter of 1976 involve redesigning the inside of her family’s beach house and planning her granddaughter’s seven birthday party, Carmen — ...
"I'm not a common criminal." "What are you then?" Kino Lorber has debuted their official trailer for Chile '76, an acclaimed Chilean drama based on a true story, from actress turned director Manuela ...
In her new film, the actor turned director examines the brutality of the Pinochet regime and the oppressive gender politics of the society he ruled. A scene from Chile ’76. (Courtesy of Kino Lorber) ...
The early years of Pinochet are told from the eyes of an upper middle class woman whose life unravels in this Cannes-selected thriller. Manuela Martelli tells the story of the early years of Chilean ...
It’s beneath a specifically rich hue of pink paint that Carmen (Aline Küppenheim), a former nurse from the upper crust of Chilean society, aims to conceal any signs of unrest within her. The horrors ...
A woman is choosing colors in a paint store when there’s a disturbance outside. After some sounds of struggle and another, unseen woman crying out, everything goes silent again. There is an awkward ...
A recurring motif swirls through “Chile ’76,” a modest but absorbing debut by Manuela Martelli. The opening scene sets the stage: A prosperous homemaker named Carmen (Aline Küppenheim) is choosing the ...
Add Yahoo as a preferred source to see more of our stories on Google. To title your film after a year, as actor-turned-filmmaker Manuela Martelli does, is a bold statement. For Chileans, after all, ...
When we first see Carmen (Küppenheim), the central figure of Manuela Martelli’s Chile ‘76, she is sitting at the rear of a hardware store, leafing through photographs in a dogeared travel guide to ...
Aline Kuppenheim is excellent in a film that leverages its genre into an unnervingly timeless study of authoritarianism. But Carmen is not quite as callous as her Westchester chic wardrobe might ...
It’s beneath a specifically rich hue of pink paint that Carmen (Aline Küppenheim), a former nurse from the upper crust of Chilean society, aims to conceal any signs of unrest within her. The horrors ...
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