It’s always with massive reserve that one should approach anything like a “turn” at this clogged critical crossroads where “we’re all in” sounds less like a rousing call to destiny than a doleful ...

James Bishop, “Middle” (1972), oil on canvas, 74 1/4 x 74 1/4 inches (© Paul Rodgers/9w Gallery, NY) Last summer, at a press preview before the opening of his exhibition at the David Zwirner Gallery, ...

Incognito: Samuel Beckett’s 1940 visit to Bram van Velde may have kept the Dutch painter from committing suicide. It wasn’t anything that Beckett said; it was his expression of solidarity with van ...

For 54 years he has been a painter, and for all but the past five of them. Bram van Velde has been penniless and unknown, a man so much alone that he has almost lost the gift of speech. Seemingly too ...

Bronnen teksten, Bronnen foto's p [163] inserted. https://siris-libraries.si.edu/ipac20/ipac.jsp?&profile=liball&source=~!silibraries&uri=full=3100001~!654357~!0#focus ...

Bram van Velde, “Untitled, Tardais” (1959), oil on canvas, 51 x 76-3/4 inches, private collection, Belgium (via members.chello.nl) The postwar art scene in Paris was dominated on one side by a ...

Bram Van Velde's colors overlap to create new nuances, in a painting that is highly gestural, frank and dynamic, as if improvised in an inspired burst of creation.

This lithograph illustrates the unique way in which Bram Van Velde manipulates color: here, metallic blue becomes a nocturnal landscape, almost palpable. It simultaneously envelops, constrains and ...